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TOY STORY 5 - Review DISTRIBUTOR : Walt Disney Studios Motion Pictures & Pixar SYNOPSIS : Following Woody’s departure to stay with Bo Peep and assist abandoned toys find owners, Jessie becomes the sheriff of Bonnie’s toy collection alongside Buzz Lightyear. However, eight-year-old Bonnie is struggling to make friends and asks her parents for a Lilypad, a frog-themed tablet, to play with her friends online. Confronted by this digital rival, Buzz seeks out Woody’s expertise to regain their place in Bonnie’s heart. REVIEW : Our favorite plaything companions return in a fresh installment featuring some new additions to the toy chest as they are beset by a modern-day hurdle that jeopardizes the very nature of childhood imagination and play. The narrative focus shifts in TOY STORY 5, as Buzz and Woody find themselves in supporting roles while Jessie, Bonnie, and Bullseye take center stage. After a fun Buzz centric open scene we are presented with a sequence that beautifully captures the essence of Bonnie’s vivid imagination through a spirited play session with her toy companions. However, the whimsy is short-lived when Bonnie’s heartfelt attempts to connect with local children are thwarted by her lack of a Lilypad, a digital barrier that leaves her isolated from her tablet-toting peers. As evening descends, the neighborhood is illuminated not by streetlamps, but by the cold glow of screens. Moved by their daughter’s struggle, Bonnie’s well-meaning parents break down and provide her with the coveted device, and she is instantly captivated by its electronic allure. It is Jessie and the gang—rather than the adults—who recognize the encroaching digital threat. Jessie’s attempt to parley with the gadget backfires spectacularly and the Lilypad outmaneuvers them. Undeterred, Jessie and Bullseye embark on a rescue mission to reclaim Bonnie’s childhood, prompting a concerned Buzz to call upon Woody for his guidance. The narrative for TOY STORY 5 leans into more sophisticated territory than its predecessors, balancing a toy’s perspective with Bonnie’s personal journey through the existential crisis of modern play. It tackles the sobering reality of childhood imagination being eclipsed by digital distractions, where authentic social interaction is increasingly rare. We meet a new child, Blaze, whose unique spirit mirrors Bonnie’s own struggle to find kinship. Amidst the drama, it delves deeper into Jessie’s origins and the experiences that fuel her spirit. This poignant odyssey portrays the toys as emblems of innocence compared to their human counterparts, offering a hopeful resolution to the technological hurdles facing today’s youth. The film peppers this message with a heavy dose of bathroom humor via the character of Smarty Pants, a toilet-training gadget voiced with comedic flair by Conan O’Brien. Not to be outdone, the delightfully bizarre Forky—now joined in matrimony to an equally odd utensil—delivers a handful of sharp, side-splitting lines clearly aimed at the adult audience. Buzz and Woody grapple with the Lilypad’s influence in Jessie’s absence, eventually pursuing their companion once the reality of her mission surfaces to unify the toy chest for a final stand. The duo operates with a seasoned maturity, reflecting their evolution as venerable guardians of the playroom. Woody’s character remains tethered to his traditional roots, seemingly oblivious to his own vintage, whereas Buzz has become an anxious romantic, his comedic journey punctuated by several botched marriage proposals to Jessie. The franchise continues its tradition of employing cutting edge technology, as this visually breathtaking entry renders its predecessors somewhat archaic by comparison. Pixar achieves a remarkable photorealism in the plastic textures of our toy friends, while human characters maintain a more stylized, caricatured aesthetic. The surrounding environments and animals—specifically Blaze’s horse and companion pig—possess a lifelike quality. The resulting atmosphere is nothing short of mesmerizing, fully immersing the audience in that quintessential sense of Disney magic. The musical landscape of the film remains anchored by Randy Newman’s score, which stands as a pillar of the franchise just as vital as the state-of-the-art visual and vocal performances. Taylor Swift provides an original track, “I Knew It, I Knew You,” for thefilm. While the song lacks the emotional resonance of Newman’s legendary “You’ve Got a Friend in Me,” it serves its purpose, though it is relegated to the initial animated credits rather than being woven into the narrative itself. For those of us who have grown up with the franchise, the shift in vocal talent for Slinky Dog and Mr. & Mrs. Potato Head is discernible, yet this change is graciously balanced by the comforting return of veteran performers like John Ratzenberger, Wallace Shawn, Annie Potts, and Bonnie Hunt. For those of us who have journeyed with these toys, TOY STORY 5 offers a poignant reunion steeped in nostalgic warmth. While the narrative pivot toward Jessie and Bonnie is a welcome shift, the film occasionally veers into more didactic territory, aiming its message squarely at both the younger audience and their parents. Ultimately, this installment appears destined to secure its place as another commercial triumph for Disney-Pixar, likely fueling a fresh wave of playroom essentials. My particular screening lacked a significant youth presence, making it difficult to gauge the broader reception, though the younger viewers in attendance clearly delighted in the slapstick humor crafted for them. Despite the somber pacing that accompanies its weighty themes, the experience remains a heartfelt opportunity to reconnect with cinematic companions who truly feel like old friends. I’m quite sure that if the filmmakers come up with a viable plot, the future might hold another sequel. CAST (voices): Tom Hanks, Tim Allen, Joan Cusack, Greta Lee, Conan O'Brien, Tony Hale, Craig Robinson, Shelby Rabara, Scarlett Spears, Mykal-Michelle Harris, Matty Matheson, John Ratzenberger, Wallace Shawn, Blake Clark, Jeff Bergman, Anna Vocino, Annie Potts, Bonnie Hunt, Melissa Villaseñor, John Hopkins, Kristen Schaal, Ernie Hudson, Bad Bunny, Keanu Reeves, Ally Maki, Alan Cumming. CREW : Director/Screenplay - Andrew Stanton; Screenplay - McKenna Harris; Producers - Jessica Choi & Lindsey Collins; Cinematographers - Jean-Claude Kalache & Matt Aspbury; Score - Randy Newman; Editor - Jennifer Jew; Production Designer - Bob Pauley; Visual Effects Supervisors - Jordan Thomas & Bill Watral; Animation Supervisor - Bret ‘Brook’ Parker. OFFICIAL : movies.disney.com/toy-story-5 FACEBOOK : www.facebook.com/Pixar/ X : x.com/pixar INSTAGRAM : www.instagram.com/pixar/ RELEASE DATE : in theaters June 19th 2026 Reviewed By : Joseph B Mauceri ** Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)
Toy Story 5: la franquicia más consistente de Hollywood suma otro éxito de crítica Pocas sagas cinematográficas pueden presumir de una trayectoria tan impecable como la de Toy Story. Desde que en 1995 la primera entrega pusiera a Pixar en el mapa, la franquicia ha mantenido un nivel de calidad excepcional que la distingue no solo entre las películas animadas, sino en el séptimo arte en general. Por eso, cada nuevo anuncio de una secuela genera una mezcla de entusiasmo y… Toy Story 5: la franquicia más consistente de Hollywood suma otro éxito de crítica
If Riley from Inside Out played Super Smash Bros. Ultimate, who do you think that she would main? Cloud Sephiroth Sora Another character (Tell me who in the comments/reblogs) I personally think that she would main Cloud because Lance Slashblade is directly inspired by him. (even though I’m a Sephiroth main and I co-main Sora)
Minions from Illumination in the culture war In 2022 Post COVID Minions earned money in the box office in days what it took weeks for Lightyear from Disney Pixar to earn Because of Lightyear’s same sex kiss Minions was considered anti woke anti-SJW And now in 2026 we will see YouTubers comment on Disney Pixar vs Illumination again with Toy Story 5 vs Minions and Monsters
I don't see how Merida is in the wrong, and, frankly, I don't think she would receive anywhere near the amount of criticism she does if she were a male character. She wants to change her mom, but that's because her mom is, well, trying to *force* her to get married! A non-consensual marriage would mean that Merida would be having sex against her will, as well, so this is essentially rape. Of course, Disney-Pixar wouldn't come out and *say* that in their children's film, but that's the logical conclusion here. I think Merida is justified in doing almost anything she can to avoid this and "change her fate."
I agree. Even though she does make a mistake, her motives are totally understandable. Though I recently found an interesting YouTube video which argued that the movie’s narrative viewpoint seems to switch partway through, from “Merida is right” to “Merida is wrong.” I was actually just planning to make a post about it. The video blamed this supposed inconsistency on the change of director from Brenda Chapman to Mark Andrews, and the storytelling changes that came with it, although I don’t know enough about Chapman’s original concept to know how accurate that assessment is.
Toy Story 5 : la franchise la plus constante du cinéma ? Les critiques répondent Depuis plus de trente ans, la saga Toy Story s’impose comme l’une des plus importantes et acclamées de l’histoire du cinéma. En 1995, Pixar posait les bases d’un univers qui allait révolutionner l’animation. Ce qui distingue la franchise de ses contemporaines, c’est sa constance remarquable : chaque volet principal est considéré comme un chef-d’œuvre. C’est dire si l’attente autour de Toy Story… Toy Story 5 : la franchise la plus constante du cinéma ? Les critiques répondent
LUCA: 5 YEARS OF PRIDE (3/6) Giulia has arrived! Gave her fashion lots of 80s country influence this time around because of her feisty, energetic and adventurous characteristics. Had some trouble with her hairstyle however so I fixed that by giving her a new one that still kept true to it’s original puffy look. We are now halfway through the designs. I hope you are all enjoying the 5 Years Of Pride artwork so far, and stay tuned for more real soon! Happy fifth anniversary to Luca as well as happy pride month everyone!
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