#painting

Thomas Brossard

Gustave Caillebotte Interior, Woman at the Window, 1880

Dusk, Longniddry by Sarah Carrington H 6" x W 12" H 15cm x W 30cm Mixed media

Novaa ~

Title: Portrait of a Woman Artist: Master of the Holy Kinship (German) Date: c. 1490–95 Dimensions: Framed: 44 x 34.5 x 5.5 cm (17 5/16 x 13 9/16 x 2 3/16 in.); Unframed: 30.3 x 21.3 cm (11 15/16 x 8 3/8 in.) Type: Painting (oil on wood) More from this artist: #my:masteroftheholykinship

All Is Vanity (1892) Charles Allan Gilbert At first glance, a large human skull emerges from the darkness. Its hollow eyes, pale forehead, and haunting grin seem to stare directly at us, a chilling reminder of death. But look closer, and the skull begins to disappear. Inside the image, a young Victorian woman sits quietly before her dressing table, admiring her reflection. Her elegantly arranged hair, flowing dress, and the objects scattered across the table create the illusion of a skull. What first appeared to be a portrait of death reveals an intimate scene of beauty and self-admiration. Nothing in the image changes. Only our perception does. Created in 1892 by American illustrator Charles Allan Gilbert , All Is Vanity is one of the most fascinating examples of optical illusion art, blending Victorian elegance with the timeless symbolism of mortality. Symbolism: The title comes from the biblical Book of Ecclesiastes: “Vanity of vanities; all is vanity.” It reflects the fleeting nature of beauty, pride, and worldly pleasures. The mirror symbolizes self-image, while the dressing table represents our efforts to preserve youth and appearance. Together, they form a hidden skull, a memento mori , meaning “remember that you must die.” The word vanity carries a triple meaning: the woman’s admiration of herself, the dressing table itself, and the emptiness of earthly beauty when confronted with mortality. My interpretation? What fascinates me most is that we see death before we notice the life hidden within it. The skull immediately captures our attention, while the woman and her quiet moment of self-admiration only emerge when we look more carefully. Perhaps Gilbert is reminding us that beauty and mortality are inseparable. We spend so much of our lives preserving appearances and pursuing things that cannot last, often forgetting how temporary they are. To me, the artwork is not a rejection of beauty, but a reminder to appreciate it without forgetting its fragility. Perhaps the greatest illusion is not the skull itself, but our belief that the things we cherish will remain forever. Art always leaves room for your own interpretation. What does this painting make you think about?

Another color style practice with the bestest girl

bearded vulture painting practice bonus points if you know the exact reference i got from pinterest

ALT Portrait of Sylvette David 1954 Pablo Picasso Spanish, worked in France, 1881–1973

“Age old chase” Oil on whatever paper I use idk can you tell I cannot be a serious painter btw this is hidden fanart

black and red candelabra cake by alexander long , 2024, acrylic & inkjet on display board, 10 × 7 × 4 inches

Sylvester the Cat in: SCAREDY CAT (1948) I wanted to post this yesterday, but it wasn’t finished. ( Also I misspelled Sylvester name in the actual painting but nobody will notice, probably). I was inspired but 1940s and 1950s movie posters. This was very fun to make

Brian Yates, 2026

i made this today

open back 🐺

New jeans 👅

https://www.ebay.com/itm/298602105558