#artgallery

1989 Ruskin Charcoal and paint on paper View On WordPress

Стирание любви: меланхолия в галерее после закрытия. Изображение из нейросети NanoBanana Иллюстрация NanoBanana передаёт меланхолию в галерее после закрытия. Монохромная картина в высоком стиле изображает зрелую модель перед вычеркнутым портретом и планшетом с красным уведомлением – символом утраты и цифрового забвения. Надпись ‘Delete L0ve’ отражает тему эмоционального стирания и отчуждения, подчеркивая влияние технологий на чувства…

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Some galleries are more than buildings—they are time capsules of human creativity.🎋 Long before social media, digital exhibitions, and modern museums, these legendary spaces preserved the stories, ideas, and masterpieces that shaped civilizations. 🎟️ Every visitor who walks through their halls becomes part of a conversation that has lasted for generations. Because great art doesn’t belong to one era. It belongs to all of us. Which of these historic galleries is on your bucket list? 👇✨

Untitled, acrylic on linen 73 X 100cm

Untitled, acrylic on linen 73 X 100cm

#Paz// La Casa Cultural Bosset inaugura una exposición colectiva en home… Entrevista realizada el 08062026 en la Casa Bosset, en Mérida, Venezuela, donde participé en una colectiva con diferentes artistas. Gracias a 8minutos Medio Alternativo por la entrevista. A la Casa Bosset y todo el equipo, y el hermoso Salón Azul donde se expusieron las obras de mis contemporáneos y mías.

What if the only thing standing between your art and its audience is one submission? 🗳️ While you’re perfecting the next piece, artists around the world are already stepping into the spotlight. ✨Get featured through TERAVARNA’s Artist Spotlight 👥Reach a global audience 🖼️Showcase your portfolio where visibility is intentional, not accidental 🎨Turn your artwork into an opportunity Your next collector, curator, or admirer could be one click away.💻 Submissions close June 15, 2026. Don’t let you art stay hidden when it’s ready to be seen.

A Story About A Contemporary Painter: Who has to live online every day just to be seen working.

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From the Family Series, Tierney Gearon Few photographers have provoked such sharp debate about the boundaries between private life and public art as Tierney Gearon. Working at the intersection of staged intimacy and documentary observation, Gearon has built a body of work that treats the family not as a sentimental subject but as a site of formal experiment and ethical complexity. Her images, drawn largely from her own household, ask uncomfortable questions: What can a parent show of a child? Where does tenderness end and exposure begin? How does a photographer reconcile love with the demands of representation?

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Jock Sturges: Fanny (Steidl, 2014) centred on another recurring subject photographed at Montalivet. These longitudinal projects distinguish Sturges from many of his contemporaries, positioning his practice closer to that of a chronicler or diarist than to that of a conventional fine-art photographer working in discrete series. Jock Sturges occupies one of the most contested positions in the history of twentieth-century photography. Technically accomplished, thematically coherent, and perpetually controversial, his decades-long project of documenting naturist families in Northern California and France raises fundamental questions about the body, time, consent, and the ethics of the photographic gaze.

“The earth trembles because of giant evil”

Lucinha-Lins 1999