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This hellsite makes me want to tell mr spielberg not to listen to the haters and he ate frfr no cap
BAMP - Disclosure Day This week, we review Disclosure Day. We also discuss Theme Park Suggestions in Confessions of a Cinephile, Media Consumption, and more! The Bloody Awesome Movie Podcast delivers a spoiler-free review of a film, usually a new release with some exceptions, every week. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk ( @berkreviews ) from Berkreviews.com will introduce a… BAMP - Disclosure Day
Disclosure Day and Lucky Strike Depression took the wheel this weekend so I didn’t get to any movies until Monday, when I got let out of work early. Yesterday I saw Disclosure Day and a “Screen Unseen” offering that turned out to be Lucky Strike. First, Disclosure Day. I didn’t care about anybody in this movie. When Spielberg made Richard Dreyfuss go through that mashed potato mountain madness in Close Encounters of the Third Kind, we could at least be there for the ride. We could be there with Teri Garr as her husband abandoned her and their kids. Disclosure Day was a spy thriller with magic and somehow still managed to be boring. Then I went to see AMC’s “Scene Unseen” offering which turned out to be Lucky Strike, a war move (ugh) about WW2 (double ugh), with bad dialog and camera angles. It had Scott Eastwood and Colin Hanks, who together create the screen presence equivalent of a shrug. This wasn’t worth my time so I dipped, but I wasn’t the first one to walk out of the theater. I thought it might get interesting because a horse appeared but then it didn’t get interesting and I walked out. I used to smoke Lucky Strikes, the summer that I was 19, because I thought it made me look cool. It didn’t. They smoke a lot of ‘em in this movie, and they are also not cool. This Friday I’m looking forward to seeing Stop! That! Train! and Girls like Girls.
Disclosure Day is classic Spielberg sci-fi with a modern twist, delivering an emotional and thought-provoking experience. It’s also a film that’s bound to make Tom DeLonge of blink-182 ecstatic. Exceptional direction and storytelling, stellar camerawork, and the cast did a wonderful job (Emily Blunt in particular gave an Oscar-worthy performance, she was absolutely incredible here). My only real complaints are that the CG was a bit too cheesy and cartoonish. It’s very Amblin and in most other circumstances would be fine, but it’s not what this film called for. The action sequences also left more to be desired. And on a side note: If you’re very religious (particularly in the Christianity sphere) and aren’t someone who wants whatever your beliefs on extraterrestrial life challenged, you’ll probably hate this film. Spielberg did it again, one of the best films of the year thus far. A ★★★★ review of Disclosure Day (2026)
Disclosure Day is an absolute train wreck of a film. Early on, Daniel states that the car they are in is likely being tracked. He drives the car to a secret location anyway. This sets a pattern that continues for the rest of the movie: a character outright states something, their actions immediately contradict what they said, and then nothing matters. Margaret is so worried about her phone being tracked that she forces Jackson to drive over it not once but twice. She has no issue with his own phone remaining on him though, and later uses it to call Daniel, who’s number she knows because She Just Knows Things Now. The basic premise of the film is that having seen video footage of the CEO of his company torturing aliens, Daniel thinks this information should be shared with the public. Because…it should be? His girlfriend disagrees, because she thinks it will stop people from believing in God. The CEO of his company thinks it will change the world. Margaret…doesn’t want to think about any of this. Character motivations don’t really seem to matter in this film, because they’re never really gone into or explored. Plot holes abound, and scenes often feel disjointed from themselves. Elements are brought up, forgotten, and brought up again. Everything is explained with a wave of a literal magic wand. It would be nice if anything was explored with any thought or depth, but actual world building seems to have been cast aside for a series of car chases that made the movie feel like one long car advertisement. It certainly wasn’t boring, but it had all the meat of a mirakle burger, and none of the nutrition. If news of aliens will help avoid nuclear warfare, doesn’t it actually matter what the war is about? If Speilberg’s call for us to listen does anything to you, I hope it tells you to watch another movie. His own filmography does a better job of it then this movie does. I hope he makes at least one more film, because this is truly a sour note on which to end a stupendous career.
I just went to see Disclosure Day by Stephen Spielberg Here are my unsolicited thoughts 4/10. This movie for the first hour was good and in a lot of ways it reminded me of season 5 vol 1 of Stranger Things. The first hour was building up to something but when it came it was empty. I really tried to like it and I went in excited but like it felt disjointed and the characters were never fleshed out. It felt like a 14 year old trying to be edgy but too afraid to say anything controversial. This movie I think was trying to please everyone and when you try and please everyone you please no one. But those are just my entirely unprofessional thoughts.
Favorite part of disclosure day is Jane saying nooo we can’t tell the world aliens exist they won’t believe in God anymore followed by her saying well it’s fine if God also created aliens. My second favorite part is the 30 minutes at the end we spent watching the news that provided no new or interesting info.
just saw Disclosure Day. I really did think that Colman Domingo and Colin Firth were going to be revealed to be ex-lovers.
Part 2 of my review of Disclosure Day Stylistically this movie is very good! I was being very negative before but stylistically this movie is good. The acting in my opinion is excellent. But the script really tied it down. A theme of this movie was how important empathy is to humanity and the universe, but with many of the other themes in this movie it felt under explored. The importance of empathy felt more like a way to explain Margret’s powers than an actual point the movie wanted to make. And SPOILERS Why did that snow sequence look so ai? The animals as well it was either bad cgi or ai like idk I got some uncanny vibes from that. Also the reveal with the old alien in the baby stroller contraption? It felt random to me but idk.
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