#Session4
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Session 4 : What is Deep Learning! What You Need to Know About Deep Learning | For Beginners 🚀 Dive into the world of Deep Learning with our enlightening Session 4! 🤖 In this beginner-friendly tutorial, we unravel the mysteries of Deep Learning, breaking down complex concepts into easily digestible bits. Subscribe to “Learn And Grow Community” YouTube : https://www.youtube.com/@LearnAndGrowCommunity LinkedIn Group : https://linkedin.com/company/LearnAndGrowCommunity Follow #LearnAndGrowCommunity
"Unveiling Barovia's Sinister Veil: Vampiric Whispers and Desperate Pacts
Step into the depths of despair, Celeste, Marius, and Ibrynn. Your encounters in the village unravel the darkness I’ve woven. The whispers of vampiric secrets entice, as you navigate the web of enigmatic shopkeepers, Koopman Bilrath and Perry Whimple. Ismark’s desperate plea reveals the fragility of life, setting you on a perilous path of intrigue and malevolence.
The EU’s copyright reform: A step in the wrong direction?
The current EU’s copyright regime is outdated and not fit for the digital age in which digital technologies radically changed the manner in which creative content is produced, accessed and distributed. As part of the Digital Single Market Strategy, the European Commission started working on a more modern and more European copyright framework at the end of 2015. In the upcoming weeks, the European Parliament Committee on Legal Affairs will vote on a proposal, Copyright in the Digital Single Marke t, which, if it becomes law, will profoundly change the EU copyright rules. Opposition to some parts of the proposal is arising from different directions. Members of the European Parliament , browser giant Mozilla and academics are voicing their concerns, especially with three proposals in the Directive that they deem to be particularly harmful. First , Article 11 which outlines extra copyright for news sites is believed to make creating, sharing and accessing news online much more difficult. The proposal entails that ‘anyone using snippets of journalistic online content must first get a license from the publisher’. Some of the concerns are that this would limit access to information, be an attack on the hyperlink, disadvantage small publishers and boost fake news. Second , Article 13, if enacted, would entail that hosting sites which have a large amount of user generated content will have to monitor what is being uploaded to their site in order to identify and prevent copyright infringements. The main fear is that this proposal will create ‘ censorship machines ’ and an extensive surveillance risk. Besides that, it also limits freedom of expression due to the fact that the software monitoring the uploads cannot distinguish between an actual copyright infringement and fair use of the copyrighted material. Third , Article 3 of the proposal would create a new EU wide copyright exception for Text and Data Mining but this exception would have a too limited scope. Text and data mining is essential for reviewing and understanding large data sets and training artificial intelligence systems. In the new proposal, the exception would only apply to research institutions and for the purpose of scientific research thus excluding independent researchers not part of established institutions, companies engaging in research activities, journalist and hobbyist. Furthermore, it entails that research institutions will not be able to commercialise their breakthroughs. Together, these effects are likely to slow down innovation and research. Overall, reform of the EU copyright regime is necessary in order to make it better fit to the Digital Age, however, there are some parts of the proposal that, if enacted, will hamper innovation and research, create censorship machine and extensive surveillance, and limit access, sharing and creating information. These consequences are not acceptable and a revision of the proposal is needed.
Session 4: The narrative power of Sci-Fi
Session 4: The narrative power of Sci-Fi Date: 08.06.20 Guest: Marcel Mayr Marcel Mayr studied technical cybernetics and computing and information science in Germany and the UK. He works part-time as a technology consultant, he has founded tech and fashion companies and is active in political/cultural/artistic projects. When digging deep into science, research and humanistic/technophilosophical debates, he’s mostly engaged in topics which pinpoint the growing gap between technological advancements, dualistic conservatism and the unreasonable human soul. He was the founder of the transhuman party in Germany and is a critical writer, speaker and artist addressing human emotions and values in times of artificial intelligence, nano-neuro-bio-psychology, technoprogressive social societies and the digital quake. If anything, he is a fighter for freedom, authenticity, humanism and empathy. He has lived in Italy, Switzerland and the UK and has lately moved from Stuttgart to Berlin, Germany, to launch a philosophical fashion label and working as an artist/writer. In this session, the key conceptual question that underlies all else was about direction. Whether in politics, design, philosophy, or technological innovation, the participants tried to estimate a current point of view and the direction we are heading towards depending on personal wishes for the future: What world do I want to live in? Can I change the future? Can I change the past? Do humans have any value and how many should exist for how long? Who am I anyway? How should I live? Who is to decide? Do I love, hate, fear…? Why? What, if anything would I change in the world, with people, with me? What role do narratives play in the fiction?
Is a popular machine learning text tool trained using copyrighted material?
This seminar mainly discussed the exact content of copyright and its classification (like copyright in dramatic works , in literary work, artistic work and so on ) and the digital challenge to the copyright . What the most appeals to me is that the part in copyright infringement. It is a very interesting case regarding a machine learning tool alleged infringement for using the scrapped data from the internet to train the tool. And it also arises a question about whether the digital copy is a kind of copyright infringement right now to us.
Day by day we get smarter phones, computers and robots. We already know the future is faster then we think. So in what kind of future are we going to life, are we still be able to dream and to wish for something? A Wish is a desire for a thing or ability, an aspiration or at least the hope of a change in reality or perception or the achievement of a goal for yourself or for another. What happens if an AI starts to wish for something? Does the meaning of wish then lose all its sense for human? Maybe then the AI really understood human probably better than we do and also got the meaning of wishes. But does a full functional AI need to wish for something anyway? Or is it that rational to see it as a unuseful ability of humankind? The GIF below symbolise an AI creating wishes. Creating wishes in such a time lapse already questions the whole meaning of wishes.
Today’s global music business is at an extraordinary moment of change. Consumption of music is exploding across the world. It is clear to see that everywhere you go, in every country, everyone is listening to music. We are at an extraordinary moment in global business. We can see that music is being consumed at unprecedented levels. There is indeed measurable growth being achieved for the first time in the industry in almost 20 years and yet the job of turning around the global music industry is really only just beginning and the scale of anomaly to be fixed is huge. Music is driving economic activity and digital commerce. Yet, in terms of the value being returned to its creators and investors, music is massively undervalued. Disclaimer: Posted this the previous Sunday however it must not have gone through, sincere apologies.
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