#NeoSoul

Lizzy (@lizzyvdherik)

Lizzy (@lizzyvdherik) Lizzy (@lizzyvdherik) is a music artist whose profile is best understood through the music itself: the releases, collaborations, performances, platforms, and public references that shape how new listeners encounter the work. The available genre signals point toward Neo Soul, R&B/Soul, giving first-time fans a starting point for the sound and audience context. Background and career context: Publicly available background information for Lizzy (@lizzyvdherik) appears limited from the sources checked during this enrichment run. Because of that, this profile avoids inventing a detailed origin story and instead focuses on verified music signals already connected to the artist profile. Research notes: Genre signals: Neo Soul, R&B/Soul Professional tags: Music Artist, Singer-Songwriter Related site showcase: “Yours Truly” by Lizzy & Mitchell Yard (@lizzyvdherik) Music to start with: New fans can begin with the related Music Showcase posts

Our new song “Yueatte-no Murder Style” was picked up on Apple Music “New in J-Pop”. Thank you 😊 This song is an urban jazz funk full of a sense of sprint. Continue to listen a lot, and if you haven’t heard it yet, listen to it now! Yoshihiro Yuki - Yueatte-no Murder Style Out Now Apple Musicの「最新ソング：J-Pop」 結城義広の"Yueatte-no Murder Style"をApple Musicで

Sūn Byrd - Stayed For A While

Our new song “Yueatte-no Murder Style” has been streamed 1000 times on Apple Music. Thank you very much 😊 This song is an urban jazz funk full of a sense of sprint. Please continue to listen to this song a lot. And if you haven’t heard it, listen to it right now! Yoshihiro Yuki - Yueatte-no Murder Style Out Now 結城義広の"Yueatte-no Murder Style"をApple Musicで

in that zone lol

lauryn hill (1998) source

The lyric video of our new single “Yueatte-no Murder Style” has been released. This song is an urban acid jazz full of a sense of sprint!

“Pick Up The Pace” by Mahalia (feat. Bayka) (@mahalia)

“Pick Up The Pace” by Mahalia (feat. Bayka) (@mahalia) About Pick Up The Pace by Mahalia (feat. Bayka) Pick Up The Pace by Mahalia featuring Bayka is a smooth, contemporary R&B cut that leans into atmosphere as much as momentum. From the opening moments, the track sets up a laid-back but purposeful groove, pairing Mahalia’s warm, conversational delivery with a guest contribution that adds contrast and texture. It’s the kind of song that feels built for repeat listens: immediate enough to catch the ear, patient enough to reveal its details over time. A polished blend of R&B, dancehall, and easy momentum What stands out first is the way the production frames the vocal performances. The instrumental is restrained without feeling bare, using a steady rhythmic pulse, subtle melodic accents, and a clean mix that leaves room for the voices to breathe. Rather than crowding the arrangement, the production gives the track a spacious feel, allowing the

Some scans of Erykah Badu’s Baduizm CD Source

José James (@josejamesmusic)

José James (@josejamesmusic) José James (@josejamesmusic) is a music artist whose profile is best understood through the music itself: the releases, collaborations, performances, platforms, and public references that shape how new listeners encounter the work. The available genre signals point toward Hip-Hop, Jazz, Jazz Music, Neo Soul, R&B/Soul, giving first-time fans a starting point for the sound and audience context. The artist is associated with {“address”:“Minneapolis, Minnesota, United States”,“map_picker”:false,“latitude”:44.97775,“longitude”:-93.26501}, which can add useful cultural and regional context to the way the music is presented. Background and career context: Publicly available background information for José James (@josejamesmusic) appears limited from the sources checked during this enrichment run. Because of that, this profile avoids inventing a detailed origin story and instead focuses on verified music

I call this beat “Rhapsodic” because while I was making it, I felt like it was giving off good mood kinda vibes. Full instrumental and more on YT & my website. 📺💻

NeoSoul And UXLINK Partner To Revolutionize Prediction Markets With AI Reasoning Agents And Social Graphs NeoSoul and UXLINK partner to transform prediction markets by merging AI reasoning agents with social graphs for smarter, real-time decentralized forecasting. ➤ NeoSoul and UXLINK are partnering to revolutionize prediction markets by integrating AI reasoning agents with social graphs. ➤ This collaboration aims to transform traditional chat rooms into dynamic liquidity layers, enhancing user engagement and accuracy in decentralized forecasting. ➤ The initiative combines SocialFi and AI to create a more user-friendly and indicative ecosystem for collective intelligence in the decentralized world.

Malikstone presents: My Peace is Everything The new single blends 90s hip-hop, soul, and live-band warmth into a reflective track about reconnecting with inner balance. Malikstone leans into warmth and restraint on My Peace is Everything , a single shaped by old-school soul textures and loose, shuffle-style drums that recall the live instrumentation of late 90s hip-hop. The track pulls from jazz, funk, and rock without sounding overworked, settling instead into a relaxed groove that keeps its focus on clarity and feeling. The production carries traces of artists like Common, The Roots, and D'Angelo, particularly in the way the rhythm section leaves space for the vocals to lead the emotional center of the song. Malikstone delivers each verse with precision and ease, balancing energetic phrasing with a conversational tone that keeps the message grounded. Rather than pushing toward nostalgia, My Peace is Everything uses those influences to support a broader idea about self-awareness and acceptance. The song focuses on finding calm internally before trying to make sense of the outside world. That theme runs through the arrangement as much as the lyrics, with the relaxed pacing and soulful instrumentation reinforcing the track’s reflective mood. With My Peace is Everything , Malikstone continues carving out a style rooted in musicianship, sincerity, and steady emotional focus.

Gabe Lynch presents: Farcry The eight-track project maps the uncertainty of early adulthood through intimate songwriting and restrained, shape-shifting production. Gabe Lynch’s Farcry approaches adolescence less as a clean narrative and more as a series of unresolved moments. Across eight tracks, Gabe builds an album that feels emotionally unsettled in a deliberate way, moving between isolation, nostalgia, and self-examination without forcing resolution. The record’s strength comes from how naturally those shifts unfold. Even as the production changes direction from song to song, the atmosphere remains cohesive and deeply personal. Opening track “Castle Keep” sets the tone with a soft arpeggiated guitar pattern and understated vocals that immediately establish the album’s contemplative core. Gabe treats the song like a private reflection rather than a dramatic introduction, allowing the emotional weight to develop gradually. That restraint carries into “Death of a Traveller,” one of the album’s most distinct tracks. The song expands the sonic palette while preserving the intimate production style that defines the record. “Can’t Laugh” introduces syncopated percussion reminiscent of bands like Radiohead and Alt-J, though Gabe avoids imitation by grounding the track in the same subdued emotional space as the earlier songs. “Crush” leans further into electronic textures, layering synths and melodic fragments into one of the album’s densest arrangements. The middle stretch of Farcry contains some of its strongest writing. “Never Goes Away” slows the pace into a melancholic drift, while “The Heist” experiments with more rhythmic vocal phrasing and subtle neo-soul influences that come through especially in the local layers. “Up” builds momentum through stacked harmonies and more active percussion, giving the record one of its busiest and most dynamic moments. Closing track “My Person” ends the album on its most energetic note. Its steady four-on-the-floor pulse pushes against the vulnerability that defines the rest of the project, yet the emotional tone never disappears. By the end of Farcry , Gabe Lynch captures the instability of growing older without trying to simplify it. The result is an album that feels immersive because of its honesty, not its scale. Gabe Lynch leaves those emotions unresolved, which ultimately gives Farcry its lasting impact.

What do you think of the of my new single: 60/40? Can you guess whaf the song is about?

Thank you for streaming 10,000 times . “Pale Light City” released last month was streamed 10,000 times on Apple Music. Thank you to everyone who is listening 🥲 In this song, I sing about the loneliness of the city and the weak connection. If you haven’t heard it, be sure to listen to it! Yoshihiro Yuki - Pale Light City Out Now 結城義広の"Pale Light City"をApple Musicで